Why Content Is Such A Fundamental Part Of The Website Design Process
When embarking on a brand-new website task, designers tend to focus on the looks and performance of their work. This implies that content writing is a task frequently pushed onto the client to satisfy. The unfortunate consequence of this choice is that the website's content eventually comes in far too late, in the incorrect format, and of bad quality.
When it comes to writing content, I'm sorry to say that clients are often simply not excellent. My customers are amazing in lots of methods, but writing convincing and informative material that prompts the reader to action, is typically not one of their talents.
As a web designer myself, I have been guilty of encouraging my clients to produce their own material. In one job I utilized Google Drive to handle the process.
The client needed a lot of coaching on how to use the document editor and when they lastly produced the material much of it lacked focus. I had to tell them it was impracticable. They returned to the drawing board and the task took months longer than it otherwise could have.
I in some cases feel like I've invested half my profession waiting around for customers to compose content. The other half has actually been invested trying to make sure whatever they produce does not mess up the design.
Content production within the site design process can be tricky to manage. In this short article I share my key knowings from years of experience, in addition to offer some tips to improve your own treatments.
The Difference Between Design And Content #
In its most essential type, material is the material that users take in. Material can take the shape of words, photos, video and audio. It is the tangible material that people cognitively take in, where style is the presentation of that content, affecting how people feel in the minute. They are symbiotic, yet unique in their own right.
A common misunderstanding amongst clients, and even designers themselves, is that style and content are one and the same. As such, it becomes incredibly tough to understand where the work of the designer ends. A lot of web designers will acknowledge that it is not their job to develop video content, but at the very same time, they might stray into the production of composed material. This is not a problem if the designer has the competence and resources to deliver on this fundamental element of the task, however frequently they do not, and nor does their client. The reality is that style and material are totally separate.
It is imperative, therefore, that content be given its location together with visual design throughout the web advancement process.
Why We Should Start With Content #
There is a widely known maxim born out of the structure market in the 1800s which mentions that form follows function. Created by architect Louis Sullivan, his full quote reveals this idea eloquently:
Architects understand that if a building does not fulfill real life needs, it would be unwise, regardless of how nice it appeared. This law can be used straight to the method we construct websites today. The relatively contemporary role of the UX designer was meant to serve as the glue in between kind and function, bridging the space in between what something looks like and how it is communicated with. The fact is that few jobs bring the budget plan for a devoted UX designer, and as such this duty typically falls to the web designer who might be more worried with looks.
The client, who comes to us for assistance, is mostly interested in what a website can do for them. Therefore, their function is to bring their service goals and expert understanding, not to write pages of content.
Can you see the problem? A cavernous gap has emerged, one that enables the production of material to fail. We require to bring content production into our site design process, and that implies developing a space for it at the start.
Naturally, this extension to our job will sustain a greater cost. This typically indicates the need for expert material production is consulted with resistance. Let's have a look at some strategies for dealing with this.
What To Do If Your Client Can not Afford Copywriting #
Not just does content production typically represent an unwelcome variance for a designer, however customers likewise see it as an unnecessary expense. We must challenge this state of mind, which starts by covering the positives. Professional website copy will:
• Consolidate and solidify the general brand name message.
• Save a great deal of time for you and the customer.
• Make the style (and the design process) more effective.
• Result in a much better end user experience.
The bottom line? Professionally composed content will drive a higher return on the total financial investment.
The reason that customers frequently declare they "can not manage" copywriting is because they don't comprehend what it can do for them. They don't appreciate the capacity for a return, and for that reason they are hesitant to make the investment. Easy economics commands that if you can make the deal compelling, the person will desire it. Use those bullet points above to instil the vigor of good material, not just online, however in business comms more generally.
I recently worked with a company whose services proved an obstacle to comprehend in the beginning, however with the assistance of a copywriter we developed a sitemap that reflected both the end-user's needs and covered what was on deal succinctly. This freed me as much as work on the visual style system and more technical integrations. Without this financial investment in material production, the end outcome would have been much poorer for it.
Now let's take a look at some strategies for plugging content composing into the site creation process.
Methods For Stitching Design And Content Together #
If you want to create a great site that satisfies business objectives of your client and does not offer you the headache of sourcing material along the method, you will require to provide copywriting its due attention. After years of having problem with this, what follows are some core concepts I've utilized to improve the process.
1. RUN A CONTENT WORKSHOP WITH YOUR CLIENT #
Investing a number of hours focusing on content allows you to work out what is necessary to the job. It likewise internalizes a team-wide sense of how vital content is. Here are some ways you might run such a session:

• Discuss the overarching objectives by asking good, open-ended questions such as "what might a visitor want from the homepage? Who would find this piece of content beneficial? How might the visitor continue after having read this page?"

• Intentionally steer the discussion away from how things might look, rather focusing on messaging, and how we anticipate the visitor to feel.
• Consider front-loading the session with a definition of content and showing some good/bad examples. Ask the team for their live feedback to gauge and assist their understanding.
This session is as much symbolic as it is tangible in use. Whilst some strong ideas will come out of the meeting, it's genuine function is to get the client on board with the idea that design and content are different deliverables. Taking this a step even more, you might choose to run this workshop as a specific item for which the customer pays a set charge, before you even begin talking about site design.
2. PARTNER WITH A COPYWRITER AHEAD OF TIME #
By bringing a copywriter into your process you can effectively merge their service with yours. A common method numerous web developers take when preparing a quote for a customer is to make a list of each service. For instance, they might divide front-end and back-end advancement into separate deliverables. This is an issue, since it creates an opportunity for the client to ask unhelpful concerns. Querying a financial investment is, obviously, wise, but in this case it can require you to validate private services that are needed to deliver the whole.
Among the best methods to integrate content composing into your delivery procedure is to just begin acting like it is a non-negotiable action. The next time you prepare a quote, include copywriting as a basic part of the process like any other. Here is an example statement you can drop into your proposals to help with this:
Keep in mind: A strong material method is basic to making your website redesign a success. As part of this proposition we will establish material for your brand-new website that will resonate with your visitors and prompt action from them. We will conduct an interview with you to comprehend your audience and objectives, and incorporate this into our content writing process.
If this is met with concerns, or if your client wants to drop this part to save expenses, refer back to the advantages I described previously.
3. USE REAL CONTENT AS QUICKLY AS POSSIBLE #
To this day I sometimes find myself designing layouts utilizing Lorem Ipsum placeholder copy. I slap myself on the wrist each time. In a perfect world, style would not start up until you have, at least, some of the material. It's hard to bring a piece of design to life unless its function is rooted in a real world use case, and placeholder text merely does not achieve that.
Don't be lured, either, to begin writing material as you style. I have tried this, and unfortunately the copy tends to get subsumed by the design procedure and forgotten about. Only when it's time to launch does someone concern it, by which point it ends up being a headache to rectify. You do not wish to be retrofitting a content method deep into the design process; utilize genuine content as at an early stage in your task as you can.
4. INTERROGATE THE BRAND #
Our clients objective and values provide a deep well of material that a lot of designers hardly dip their feet into. Many insights and content ideas can be discovered here, however it suggests going back from the website procedure to question the brand. This can appear rather complicated, however it is frequently worth doing in order to understand the core motivations of the task. Here are some concerns you can ask your client to assist form a content technique:

• Why do you do what you do?
• How does your product or service make your customer's life better?
• How do your clients explain you?
• Who are your rivals and how do you vary?
• Where will this task take you?
The objective here is to get the client thinking of themselves and their customers. Your aim is to translate their responses into useful material and design choices. When a customer is having a hard time to comprehend the value of the substance of material, these discussions can lead to a couple of "lightbulb" minutes.
If you're feeling bold, think about bringing your customers' customers into the discussion also to include an extra measurement. This may feel a little scary, but you could do it in any of the following ways:
• Ask for existing feedback that your client may have gotten from their consumers. Try to find common concerns or problems.
• Conduct a study with their consumers, acting either on behalf of the customer or as yourself.
• Organise a series of video interviews with their customers. This could add tremendous worth to the job and level you approximately a more essential position in the eyes of the customer.
• Bring a handful of clients into your material workshop with the client to include them in discussions.
It's crucial to keep in mind here that when questioning the brand, we're simply searching for answers. How do people experience this business? Promote an objective agenda to lower in-fighting, and this extra mile will serve you very well.
5. IF THE CLIENT IS TO WRITE THEIR OWN CONTENT, MAKE IT EASY FOR THEM #
In scenarios when the client has in-house resources to produce copy, your task will be to direct them. Here are some tips for keeping the task on track:
• Delay jumping into visual style till you have some real content to work with.
• Give the client a content-delivery deadline.
• Set up all the files for the customer as Word files or Google Drive documents. Guarantee each is shown by a page within the sitemap, and preferably a wireframe to represent design. This provides the customer a framework to write within.
• Give them design templates and utilize restraints to assist them produce material that will work well. For example, have a field for "page title" and state that it must be no more than 6-8 words. Here is a design template that I have utilized with my customers in the past.
• If there is no spending plan to run a material workshop, have a pre-recorded video you can point them to or an article on your blog that describes the point of great content.
• Make content production the duty of one individual. If the whole group input, the project will rapidly spiral.
Essentially, in cases where your client does not invest in external copywriting, you need to seek to make the process as basic as possible. Delegated their own devices, you might get content in dribs and drabs, and when you finally piece it together you'll wind up with a Frankenstein's Monster. Making it easy for them by handling the procedure can assist prevent this.
Some Resources To Help Facilitate The Content Process #
Whether you are looking at the content yourself, dealing with a copywriter or leaning on your client to supply it, you More help require tools and a procedure. A typical approach, and one that has worked for me, generally follows these actions:
• You examine the present website to gain a much deeper understanding of content that a) needs to be reworded, b) needs to be erased or, c) requires to be produced from scratch.
• You work with the client and writer to develop a sitemap, the overarching structure of the website material. Gloomaps is a wonderful tool to help with this, however there are more advanced tools such as Miro that provide a collaborative area.
• You mock up content design utilizing wireframe models of key pages. You can go deep into this or keep it surface-level. There are dedicated apps like UXPin and Mockflow, but I discover that Adobe Illustrator works well with the ideal wireframe UI kit.
The crucial principle here is to include your client in discussions about material and structure. Too often designers disappear into a shaded room, emerging weeks later on with a "completed" product. Whilst some clients appreciate a "done for you" service, most discover higher complete satisfaction by being brought into the process. You'll do better work when you draw on their knowledge and experiences, too.
In Summary: Take Content Seriously #
The uneasy truth of the matter is that content is the important things you're developing. Prominent copywriter and marketer Eugene Schwartz stated:
" Copy is not composed, it is put together."
Best web designers understand that their job is about structure and user experience. We offer the interface to that which the reader looks for. It's typically simple to forget this when faced with the politics and choices of a lot of web design projects. We get our heads turned by new patterns, fancy CSS animations and the current structures. We get stuck into the problem, which is what makes us designers and designers in the very first location.
But there will always be a requirement to refocus. To align our work with the core aims of the task, and for the most part, that is just to get a message across in the clearest method possible.
We need better content on the web, which requires investment. As designers we can fly the flag for professional copywriters, or we can distract ourselves with looks. I've done both, and I can tell you with confidence that the former produces much better work, more quickly, and with less hassle.